Direction, Music & Editing
Samir Karnik’s direction is fairly nice. Had he concentrated more on the script, at least in the pre-interval portion, the film would’ve turned out to be a more wholesome experience. All the same, his narration and Bath’s gags do evoke laughter post-interval. The canvas and the look of the film, however, leave something to be desired. Music needed to be much better as hit songs could’ve added greatly to the drama. ‘Tinku jiya’ (music by Anu Malik) is a fairly nice number. The ‘Charha de rang’ song (music: Nouman Javaid) is also quite nice. The title song (borrowed from Pratiggya; music by Laxmikant Pyarelal) is, of course, the best number and holds appeal even today.
Kabir Lal’s camerawork is good. Analarasu’s stunts are eye-filling. Sanjoy Chowdhary’s background music is okay. Editing (Mukesh Thakur) is far from being sharp. Sets (Jeetendra Kava) are dull.
The Last Word
On the whole, Yamla Pagla Deewana is a mass entertainer for the single-screen audiences. It will do well in single-screen cinemas but average in multiplexes. A couple of distributors who’ve paid unreasonably high prices may lose part of their investments but those losses will be less than the profits made by the producers.